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The Big Express (CD/BDA)
Classic 1984 XTC album on CD/Blu-ray newly mixed (2023) by Steven Wilson in Stereo, 5.1
Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
XTC’s seventh album, “The Big Express”
XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If Mummer was XTC’s quiet album, this was its polar opposite: bright, brash, noisy - even cluttered on occasion if the song demanded it - as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.
Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the
vocals.
This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards
tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more centre-stage
with the band’s next project – ‘The Dukes of Stratosphear’.
With XTC no longer touring, the sound radically different to any previous XTC album, in a musical
climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final
solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts
of Swindon’s industrial heritage proved non-existent.
Of course the songs were as good as on any other XTC album - a very high standard indeed – but they
went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what
happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and
sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.
Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power
of the album can be appreciated. Already given studio quality previews to an invited audience in London
and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent
detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every
recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.
Coal for the Soul.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipack sleeve with 16-page booklet in a cardboard slip case.
Blu-ray
• Album and additional tracks of 2023 Mix in Dolby Atmos, Hi-Res Stereo and DTS-HD MA Surround Sound & instrumental mixes in Hi-Res Stereo all mixed by Steven Wilson
• Plus album and additional tracks of original mix in Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing Track)
• Album and additional tracks in demo form in 16/48 Hi-Res stereo with additional demos of songs written for The Big Express
Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
XTC’s seventh album, “The Big Express”
XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If Mummer was XTC’s quiet album, this was its polar opposite: bright, brash, noisy - even cluttered on occasion if the song demanded it - as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.
Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the
vocals.
This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards
tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more centre-stage
with the band’s next project – ‘The Dukes of Stratosphear’.
With XTC no longer touring, the sound radically different to any previous XTC album, in a musical
climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final
solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts
of Swindon’s industrial heritage proved non-existent.
Of course the songs were as good as on any other XTC album - a very high standard indeed – but they
went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what
happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and
sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.
Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power
of the album can be appreciated. Already given studio quality previews to an invited audience in London
and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent
detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every
recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.
Coal for the Soul.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipack sleeve with 16-page booklet in a cardboard slip case.
Blu-ray
• Album and additional tracks of 2023 Mix in Dolby Atmos, Hi-Res Stereo and DTS-HD MA Surround Sound & instrumental mixes in Hi-Res Stereo all mixed by Steven Wilson
• Plus album and additional tracks of original mix in Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing Track)
• Album and additional tracks in demo form in 16/48 Hi-Res stereo with additional demos of songs written for The Big Express
Classic 1984 XTC album on CD/Blu-ray newly mixed (2023) by Steven Wilson in Stereo, 5.1
Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
XTC’s seventh album, “The Big Express”
XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If Mummer was XTC’s quiet album, this was its polar opposite: bright, brash, noisy - even cluttered on occasion if the song demanded it - as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.
Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the
vocals.
This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards
tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more centre-stage
with the band’s next project – ‘The Dukes of Stratosphear’.
With XTC no longer touring, the sound radically different to any previous XTC album, in a musical
climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final
solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts
of Swindon’s industrial heritage proved non-existent.
Of course the songs were as good as on any other XTC album - a very high standard indeed – but they
went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what
happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and
sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.
Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power
of the album can be appreciated. Already given studio quality previews to an invited audience in London
and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent
detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every
recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.
Coal for the Soul.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipack sleeve with 16-page booklet in a cardboard slip case.
Blu-ray
• Album and additional tracks of 2023 Mix in Dolby Atmos, Hi-Res Stereo and DTS-HD MA Surround Sound & instrumental mixes in Hi-Res Stereo all mixed by Steven Wilson
• Plus album and additional tracks of original mix in Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing Track)
• Album and additional tracks in demo form in 16/48 Hi-Res stereo with additional demos of songs written for The Big Express
Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
XTC’s seventh album, “The Big Express”
XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If Mummer was XTC’s quiet album, this was its polar opposite: bright, brash, noisy - even cluttered on occasion if the song demanded it - as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.
Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the
vocals.
This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards
tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more centre-stage
with the band’s next project – ‘The Dukes of Stratosphear’.
With XTC no longer touring, the sound radically different to any previous XTC album, in a musical
climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final
solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts
of Swindon’s industrial heritage proved non-existent.
Of course the songs were as good as on any other XTC album - a very high standard indeed – but they
went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what
happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and
sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.
Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power
of the album can be appreciated. Already given studio quality previews to an invited audience in London
and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent
detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every
recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.
Coal for the Soul.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipack sleeve with 16-page booklet in a cardboard slip case.
Blu-ray
• Album and additional tracks of 2023 Mix in Dolby Atmos, Hi-Res Stereo and DTS-HD MA Surround Sound & instrumental mixes in Hi-Res Stereo all mixed by Steven Wilson
• Plus album and additional tracks of original mix in Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing Track)
• Album and additional tracks in demo form in 16/48 Hi-Res stereo with additional demos of songs written for The Big Express
$42.25
The Big Express (CD/BDA)—
$42.25
Description
Classic 1984 XTC album on CD/Blu-ray newly mixed (2023) by Steven Wilson in Stereo, 5.1
Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
XTC’s seventh album, “The Big Express”
XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If Mummer was XTC’s quiet album, this was its polar opposite: bright, brash, noisy - even cluttered on occasion if the song demanded it - as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.
Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the
vocals.
This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards
tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more centre-stage
with the band’s next project – ‘The Dukes of Stratosphear’.
With XTC no longer touring, the sound radically different to any previous XTC album, in a musical
climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final
solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts
of Swindon’s industrial heritage proved non-existent.
Of course the songs were as good as on any other XTC album - a very high standard indeed – but they
went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what
happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and
sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.
Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power
of the album can be appreciated. Already given studio quality previews to an invited audience in London
and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent
detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every
recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.
Coal for the Soul.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipack sleeve with 16-page booklet in a cardboard slip case.
Blu-ray
• Album and additional tracks of 2023 Mix in Dolby Atmos, Hi-Res Stereo and DTS-HD MA Surround Sound & instrumental mixes in Hi-Res Stereo all mixed by Steven Wilson
• Plus album and additional tracks of original mix in Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing Track)
• Album and additional tracks in demo form in 16/48 Hi-Res stereo with additional demos of songs written for The Big Express
Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
XTC’s seventh album, “The Big Express”
XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If Mummer was XTC’s quiet album, this was its polar opposite: bright, brash, noisy - even cluttered on occasion if the song demanded it - as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.
Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the
vocals.
This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards
tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more centre-stage
with the band’s next project – ‘The Dukes of Stratosphear’.
With XTC no longer touring, the sound radically different to any previous XTC album, in a musical
climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final
solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts
of Swindon’s industrial heritage proved non-existent.
Of course the songs were as good as on any other XTC album - a very high standard indeed – but they
went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what
happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and
sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.
Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power
of the album can be appreciated. Already given studio quality previews to an invited audience in London
and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent
detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every
recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.
Coal for the Soul.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipack sleeve with 16-page booklet in a cardboard slip case.
Blu-ray
• Album and additional tracks of 2023 Mix in Dolby Atmos, Hi-Res Stereo and DTS-HD MA Surround Sound & instrumental mixes in Hi-Res Stereo all mixed by Steven Wilson
• Plus album and additional tracks of original mix in Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing Track)
• Album and additional tracks in demo form in 16/48 Hi-Res stereo with additional demos of songs written for The Big Express
